Hawaii Five-O: The Flip Side is Death

May 30, 2010

The Puppet Masters review

Filed under: Uncategorized — hawaiifiveotheflipsideisdeath @ 7:19 pm
“Lacked suspense.”

Reviewed by Dennis Schwartz

Brit director Stuart Orme, in his American debut, brings Robert A.
Heinlein’s exciting 1951 sci-fi book to the screen at last in this low-budget
B-movie. It’s too bad that the filmmaker reduced Heinlein’s effusive original
work to mediocrity, making it into a tawdry thriller that looked like a
cheesy television production. It tells of aliens landing in the small-town
of Ambrose, Iowa, a population of about 10,000, and taking over humans
as the creepy sluglike parasites leech themselves onto people’s backs and
control their bodies and minds like puppets. Top-level government agents
from the secret Office of Scientific Central Intelligence, headed by gruff
Andrew Nivens (Donald Sutherland), and including Andrew’s son Sam (Eric
Thal) and Mary Sefton (Julie Warner), an exobiologist borrowed from NASA,
visit the site of the alien flying saucer landing and quickly uncover a
coverup to dispel the fact that extraterrestrials have actually landed.

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The security troubleshooters attempt to crush the alien’s scheme
to take over the planet and run into difficulty stopping the ever-growing
widespread invasion. It leads to a daring nighttime army parachute jump
into downtown Des Moines, and a lackluster pursuit of the aliens that lacked
suspense. The inevitable scientific solution of how to save the world,
comes as expected in the nick of time. It’s fast-paced and offers some
low-rent thrills, but the special effects are below par.

May 28, 2010

TOY STORY A film review by St…

Filed under: Uncategorized — hawaiifiveotheflipsideisdeath @ 8:39 am

BAGATELLE STORY
A pellicle review by Steve Rhodes
Copyright 1995 Steve Rhodes

RATING (0 TO ****):  ****

TOY STORY is an absolutely wonderful movie for both kids and
adults. It stretches your mind creatively to look at inanimate objects
with a new respect, and it dazzles your senses with a wonderful new art
form, the full length computer generated movie that is a cross between
a Disney cartoon and a live action film. Moreover, in a year with some
quite imaginative kids movies (THE INDIAN IN THE CUPBOARD and THE
SECRET OF ROAN INISH being the second and third best of 1995), this one
stands head and shoulders above all of the rest.

TOY STORY has some good voices: Tim Allen as Buzz Lightyear, Tom
Hanks as Woody, Laurie Metcalf as Mrs. Davis, John Morris as Andy,
Annie Potts as Bo Peep, John Ratzenberger as Hamm, Don Rickles as Mr.
Potato Head, Wallace Shawn as Rex, Jim Varney as Slinky and Erik Von
Detten as Sid, but the voices are not what make the show as in some
animated movies, e. g., Robin William in ALADDIN. TOY STORY is special
because of the story itself and because of the computer generated
animation that is nothing less than phenomenal. The computer work
stands alone as a major new contribution to the magic of movies. Yes,
this has been done before perhaps, but not to this scale and degree of
sophistication. Pixar (and Disney) have a major hit on their hands. I
look forward to many more magical pictures from this creative team.

As the story unfolds we find the toys in Andy's room having their
morning staff meeting chaired by their leader Woody. Woody holds this
elevated position by virtue of being Andy's favorite toy. Woody
announces that, "Tuesday's plastic corrosion awareness meeting was a
big success." The staff meeting is broken up by Andy's birthday party.
The tension surrounds what toys Andy will get. Although Mr. Potato
Head is hoping for a Mrs. Potato Head, most toys are dreading the
event.

Woody sends out toy soldiers with a Fisher Price monitor to bug
Andy's party. The walk of the toy soldiers is great. They have to
shuffle along. Remember that cheap toy soldiers have their feet stuck
on a single strip of plastic which makes sneaking up on the enemy
extremely difficult. The old toys wait in Andy's room listening to the
monitor with the dread that people listened to reports of World War II
on their radios. This could mean their demise too, and as Hamm, the
piggy bank, puts it, "Yes sir, we're next month's garage sale fodder
for sure."

It is at the birthday party that Andy gets Buzz Lightyear. Unlike
the other toys, poor Buzz thinks he actually is a spaceman. He keeps
communicating with his command center since he is afterall on a
critical intergalactic mission. The toys fall in love with him, and
Woody drops out of favor with Andy. Woody laments, "What chance does a
toy like me have against a Buzz Lightyear action figure?" The majority
of the movie is about the conflicts between Woody and Buzz.

There are excellent lessons taught to kids along the way. The
story is full of demonstrations of good moral values as well as the
illustration of what leading an evil life like that of the neighborhood
bad kid, Sid, can get you. Sid has a room full of "cannibal toys".
Whether or not Sid will get Woody and Buzz and then blow them to
smithereens is the other highlight of the show. I will not give any of
this away. The ending is perfect too. See it all yourself.

The toys are hyper-realistic, but the people in the movie are
drawn more cartoon characterish. My wife, Sally, said that she thought
this was to make the point that it is the toys in the story that are
real more than the people. I suspect she is right. The colors of the
toys have a luminescence that I have not seen before on the screen.
The accuracy of the toys is reminiscent of the Vermeer and the other
great Dutch painters of the seventeenth century, absolute devotion to
the small details and to lighting effects. The toys in the good boy,
Andy's, room are perfect, but the ones in the evil Sid's room are pure
THE NIGHTMARE BEFORE CHRISTMAS style.

The wonderful script (Joel Cohen, John Lasseter, Alex Sokolow,
Andrew Stanton, and Joss Whedon) uses dialog to make the toys come
alive and yet be extremely funny. Rex, the dinosaur, introduces
himself to Buzz saying, "I'm from Mattel. Well, actually I'm from a
smaller company that was purchased by Mattel in a leveraged buyout." I
hope the writers win a lot of awards.

TOY STORY runs a fast and extremely well paced 1:17. I posit no
one will get bored during this movie. It is rated G but I should warn
people that young viewers may get scared by Sid and his toys. This is
not overdone, but I did hear several very young (age 2?) kids screaming
at the top of their lungs at a couple of spots in the show. Jeffrey (6
1/2) and his friends Allison (6 1/2) and Josh (4) went. They gave it
double thumbs up. Luckily our two families had more laps than kids so
that when the scary scenes came, all kids had a place to go. Perhaps
you should check your kid to lap ratio before you go. Jeffrey gets
angry at shows that scare him, but not this one. He took it in stride
as part of the movie going experience. His version of revisionist
history, by the way, claims that he actually gave the movie six thumbs
up rather than just two. I give the movie my strongest recommendation
and award it a full ****.

**** = Song of the top few films of this or any year.  A must see dim.
***  = Excellent production.  Look for it.
**   = Unexceptional silent picture.  Sympathetic of enjoyable.
*    = In reduced circumstances show.  Don't wreck your filthy lucre.
0    = Ditty of the worst films of this or any year.  Totally unbearable.
REVIEW WRITTEN ON: November 27, 1995

Opinions expressed are mine and not meant to reflect my employer's.

May 26, 2010

Collection of 30 Live-Action Video Game Commercials

Filed under: Uncategorized — hawaiifiveotheflipsideisdeath @ 3:50 pm

Halo: Reach Screenshot
(

photo:

)

With the great new
live-deportment game trailer/commercial making its rounds on the internet and XBox Live, the great people over at
have infatuated a look cast off at all the overwhelm video game commercials involving bona fide humans and picked peripheral exhausted the best from fully past. Here’s a
of the greatest, funniest and most epic (

at least mostly

) MATERIAL-POWER video game commercials of all time; from the roarin at 90s, all the way to the erstwhile only one weeks.

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May 24, 2010

Intacto (2002)

Filed under: Uncategorized — hawaiifiveotheflipsideisdeath @ 5:29 am

Four people are connected by fate, and discover that luck is something they cannot give
to be without. Tomas (Leonardo Sbaraglia) is a young bandit and sole survivor of a horrific
plane crash; Federico (Eusebio Poncela) has survived an earthquake and discovered he has
the power to rob those around him of their good fortune; Sam (Max von Sydow) is the
ultimate survivor, who hopeless the whole but his being in a Nazi concentration camp; Sara
(Monica Lopez) is a policewoman who walked away from a machine run that killed her family.

May 21, 2010

Film Alert A daily round-up o…

Filed under: Uncategorized — hawaiifiveotheflipsideisdeath @ 7:09 pm

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